Chordisplay

Harry Hood

Intro: Dm > Am (x4), F > Em (x4), C > Cmaj7b5!!

Dm Am F Em C Cmaj7b5 E----5------5------8------7-------0------7---------------------------- B----6------5------10-----8-------1------7---------------------------- G----7------5------10-----9-------0------9---------------------------- D----7------7------10-----9-------2-----10---------------------------- A----5------7------8------7-------3----------------------------------- E-----------5---------------------------------------------------------

This repeats a couple of times; sometimes the band trades small solos. Then:

  Dm      Em Am

Harry! Harry! Where do you go when the lights go out? x3

  Dm      Em Am                D

Harry! Harry! Where do you … go?

Once the band hits “go?”, Trey starts here (over a D chord) :

Most of these get hit on the upstroke D A G H-O E-10—12—10---------9—10—9---7—8—7—7—10---------------------- B-10—10—10--------10—10-10---8—8—8—8---8---------------------- G-11—11—11---------9---9—9---7—7—7—7---7---------------------- D-12—12—12—9-11—11—11-11---9—9—9—9---9---------------------- A------------------------------------------------------------------- E-------------------------------------------------------------------

Repeat once

Then:

G Em F#m G Em F#m A E—7------7------9-------7------7------9------9--------------------- B—8------8------10------8------8------10-----10-------------------- G—7------9------11------7------9------11-----9--------------------- D—9------9------11------9------7------11-----11-------------------- A------------------------------------------------------------------- E-------------------------------------------------------------------

Repeat both those again, the next time sliding down to: open A break A E-0— B-0— G-6— D-7— A-0— E-0—

Trey pulls a little fill like this in here:(Thanks to Steve Munno for this part)

E-----------------------0----------------------------------0---------- B-----------------------0----------------------------------0---------- G-9->-11-11-11-11->-9->-6----9->-11->-9->-13-13->-11->-9---6---------- D-----------------------7----------------------------------0---------- A-7->—9—9-9—9—>-7->-0----7->-9->—7->-11-11->-9—>-7---7---------- E-----------------------0----------------------------------0----------

Then:(middle section)

G > F#m > Em > F#m (Repeat)

G > F#m > Em > F#m > G > F#m > G > G# >

This part is “collectively” in 25/8. A > D is in 5/4 and E > D > E > D is in 15/8

The timing is as follows: b = eighth note * = dotted eighth note (held 1.5 times as long as an eighth note)

A D E D E D b b * * b b * * b b b * * * b b b * * *

Fish plays quarter notes through the first four repeats so the riff starts at a different point in the drum beats each time. When you really see how simple the rhythm pattern is, you will have a better feel on what you’re doing.

He slides out of this with : D > C#m > Bm > A (open stringed)

middle section chords e------------------------|-------------|--------------------|—0—0—0—0-|—0--------0- B—3-----2-----0-----2---|---3-2~—0-2~|—3-2-0-2---3-2-3-4-|—5-10-12-10-|-10—9—7—0- G---4-----2-----0-----2—|---4-2~—0-2~|—4-2-0-2---4-2-4-5-|—6-11-13-11-|-11—9—7—6- D-5~~5—4~~4—2~~2—4~~4-|-5-5-4~~2-2-4~~|—5-4-2-4---5-4-5-6-|—7-12-14-12-|-12—11-9—7- A------------------------|-------------|--------------------|—0-0-0-0—0-|-----------0- E------------------------|-------------|-3-2-0-2---3-2-3-4—|-------------|-----------0-

repeat open “A” break

D > G > C > Am (hit on Distortion at Am)

Riff fixed by DeadHead.

E|---------------------------|------------------------------------------------------------------|----------- B|---------------------------|----------------------------------------------------------------|----------- G|-----------------10-9------|-------------------------10-9--------------------10-9----10-9-----|----------- D|----------10-9----------12-|-9h10h12-9h10h12-9h10h12------12-9h10h12-9h10h12------12------12—|-9-10----9- A|----9-8--------------------|----------------------------------------------------------------|----------- E|7--------------------------|------------------------------------------------------------------|-----------

Then notes that go: G-10-9---- D------12- Are slightly faster then the surrounding notes.

[no chord] Thank you Mr. Minor…

A > Bm (Loud!)

Then it moves up to C#m (just up two frets) .. I’m not going to write it all out again though. Easy enough to just move up.

B > C#m

Then up again two frets to D#m.

E A E A E A Thank You Mr. Minor … Thank You Mr. Minor … Thank Your Mr. Minor…

A
Thank You Mr. Hood…

And then of course, comes the jam (who can forget it?) .. It’s basically over this progression:

D > A > G (two bars)

After Trey hits the high D note bent up to an E (I’m telling you, that 24th fret is killer — I recommend YOUR next guitar purchase includes two full octaves on the fingerboard), he does this lick over the progression with lots of distortion to signify the end of the jam:

D         A             G

|: :| |: :| |: :| E-----17--------17-----------17------------------------------------- B---15--------14-----------12--------------------------------------- G-14--------14-----------12----------------------------------------- D------------------------------------------------------------------- A------------------------------------------------------------------- E-------------------------------------------------------------------

and of course:

        D     A                G

You can feel good, good, good about Hood .. (x3)

Harry Hood!

Side note: I think sometimes Mike will scream out over Trey “I feel good!” .. not sure though. It works out nicely, with the “ood“‘s matching up. Whatever.

== Bass Tablature ==

Harry Hood

by Phish transcribed by mike carcaise MrMinor3@aol.com

I saw a request for this on the WebBoard and thought i would share my stripped down version of the Hood intro on bass.

NOTE. This tab is not to be taken as an exact interpretation of any specific performance of Hood. These are just a few examples of things that I have heard Mike do. Also, I am tabbing this for a 4-string. Mike plays an octave lower most of the time, and you should use the full range of your instrument, whatever that may be.

   I will include timings and chords to help you keep track of the time and feel

of this line.

Dm Am Dm Am

G------------------------------------------|----------------------------------------| D------------------5----7---------7--------|------------------5----7----------------| A---5------5—8----------------------------|---5----5—5-8--------------------------| E------------------------------------------|---------------------------------5------| 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

So you go Dm to Am i think 4 times, and then to this:

F Em F Em

G------------------------------------------|------------------------------------------| D------------------------------------------|------------------------------------------| A---8--------------8----7---------5----7---|---8--------------8----7---------5----7---| E-------------8----------------------------|-------------8----------------------------| 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

F Em C A7#9
G------------------------------------------|------------------------------------------| D------------------------------------------|------------------------------------------| A---8--------------8----7---------5--------|---3----------------------------------0---| E-------------8----------------------------|------------------------------------------| 1 & 2 & 3 & 4 &

This is the meanacing gutiar riff written out in full:

Riff in Bm: (modulates to C#m, then D#m) E---------------------------------------------------------------------------------- B---------------------------------------------------------------------------------- G-------------10-9-----------------------------------10-9-------------------------- D--------10-9------12---9-10-12—9-10-12---9-10-12---------12---9-10-12—9-10-12--- A----9-8--------------------------------------------------------------------------- E—7-------------------------------------------------------------------------------

E---------------------------------------------------------------------------------- B---------------------------------------------------------------------------------- G---10-9------10-9-----------------------------------10-9-------------------------- D--------12--------12---9-10-12—9-10-12---9-10-12---------12---9-10-12—9-10-12--- A---------------------------------------------------------------------------------- E----------------------------------------------------------------------------------

E--------------------------- B--------------------------- G---10-9------10-9---------- D--------12--------12---9--- A--------------------------- E---------------------------