Golgi Apparatus
Golgi Apparatus
test
E---18----
B---19----
G---19----
D---20----
A---------
E---------
F#+ G G G
I look into the finance box just to check my status,
no chord
(status)
E------------------------|
B------------------------|
G---5-7-5---3-4----------|
D---------5-----5-3------|
A------------------------|
E----By: William Fort----|
-> Trey plays the above lick when they sing, (status)
G G G G
I look into the microscope, See a Golgi Apparatus
G7#9 -> F#7#9 -> F7#9 -> E7#9 (SEE BELOW FOR CHORD FORMATIONS)
Eb F Bb
Golgi, oh, woe is me
Eb F Bb
You can't even see the sea
Eb F Bb
Golgi, olgi, ho ooo olgi
Golgi
C9 -> C#9 -> D9
G G G G G
They call him lysasome 'Cause he runs so fast
E--------------------------------------------4---4-8--|
B--------------------------------3---3-6p3h6---6------|
G--------------------------4---4---4------------------|
D--------------3---3-6p3h6---6------------------------|
A--------5---5---5------------------------------------|
E--6p3h6---6------------------------------------------|
E------10-----------------10--10---------------10--8----|
B----------12------10--12--------12-----10--12----------|G--------------10--------------------10-----------------|D-------------------------------------------------------|A-------------------------------------------------------|
E-------------------------------------------------------|
-> Listen to the timing of the notes over the guitar riff. Trey plays about 3 notes to every note Page hits.
C
Runs like a junkyard dog with a brain of brass
G7#9 -> F#7#9 -> F7#9 -> E7#9 (SEE BELOW FOR CHORD FORMATIONS)
Eb F Bb
Golgi, oh, woe is me
Eb F Bb
You can't even see the sea
Eb F Bb
Golgi, olgi, ho ooo olgi
Golgi
C9 -> C#9 -> D9
CHORUS:*
G
I saw you...
(x3)
C G
With a ticket stub in your hand
G G
I saw you....
F--->----->---------->------------>------- (pedal on E string)
Under the light, middle of the night, couldn't get it wrong...
(REPEAT CHORUS)
So I had to..... (and into Trey's most excellent solo.... tablature follow)
Chord Forms:
(intro) (See a Golgi Appa...) (Golgi woe) (before chorus)
F#+ G7#9 F#7#9 F7#9 E7#9 Eb F Bb C9 C#9 D9
E--x-------x----x------x----x-------x--x---x---3----4----5
B--7-------11---10-----9----8-------4--6---3---3----4----5
G--7-------10---9------8----7-------3--5---3---3----4----5
D--8-------9----8------7----6-------1--3---3---2----3----4
A--9-------10---9------8----7-------x--x---x---3----4----5
E--x-------x----x------x----x-------3--5---3--------------
The first thing that you *should* know about the golgi solo part is that
it is *not* in a straight (i.e multiple of 4) time signature--count it
out!!
There are 15 beats per phrase (where you would expect 16). It doesn't
matter how you do it, but I find three 4/4 measures and one 3/4 measure
convienient.
For the 1st part of the solo (starting @ 1:25), play:
Beats:(* = downbeat)
* ^ ^ ^ * ^ ^ ^ * ^ ^ ^ * ^ ^
E|--------------------------------------|
B|--3--3-4-6-66-4-3---1-4b6-4-3--4--6-4-|
G|--3--3-3-3-33-3-3---1-----------------|
D|--3--3-5-3-33-5-3---1---------3--3--5-|
A|--------------------------------------|
E|--------------------------------------|
^^^^
This little thingy is *very* important, IMHO. Trey does it quite a bit
in his playing. i.e. rather than just playing two notes consecutively,
he sticks another note in there (cf. The divided sky slow part).
They're not always that easy to hear, but without them, the music loses
its feel, it's color--everything. This is what makes it interesting.
The second half of the solo is the same thing with everything jacked up
2 frets (i.e. now in the key of C rather than Bb).
Above is for 4 repetitions, then go up two frets:
* ^ ^ ^ * ^ ^ ^ * ^ ^ ^ * ^ ^
E|---------------------------------------|
B|--5--5-6-8-88-6-5---3-6b8-6-5---6--8-6-|
G|--5--5-5-5-55-5-5---3------------------|
D|--5--5-7-5-55-7-5---3---------5---5--7-|
A|---------------------------------------|
E|---------------------------------------|
Above repeats 3 times, and the fourth is played differently:
E|------------------------------------------|
B|--5--5-6-8-88-6-5--->>8-6-4-6-8-9-11>>>13-|
G|--5--5-5-5-55-5-5---3---------------------|
D|--5--5-7-5-55-7-5---3----------------5--7-|
A|------------------------------------------|
E|------------------------------------------|
NOTE: numbers directly above one another (like 5/5/5 above) are played
at the SAME TIME; numbers that are not directly above one another (like
B/5...G/7 above) are played in succession.
AND THIS LEADS INTO THE SOLO....
E|-------------------------------------------------------------------|
B|-13-11->>9-9--11>>13-11-9-8-8-8^^9-11-9----------------------------|
G|-------------8------------------------------11-8--11-10-9-8---10-13|
D|-------------------------------------------------9---------9-11----|
A|-------------------------------------------------------------------|
E|-------------------------------------------------------------------|
E|---------------------------------------------------------------|
B|-11-9>>7-7--9>>11-9-7-6-6-6^^7-9-7-----------------------------|
G|-----------6-------------------------9-6--9-8-7-6---8---11>>>--|
D|-----------------------------------------7-------7-9-----------|
A|---------------------------------------------------------------|
E|---------------------------------------------------------------|
E|----------------------------------------------------------------|
B|-9-7>>5-5--7>>9-7-5>4-4-4^^5-7-5--------------------------------|
G|----------4-----------------------7-4--7-6-5-4-----6-9>>>-------|
D|--------------------------------------5--------5-7--------------|
A|----------------------------------------------------------------|
E|----------------------------------------------------------------|
E|---------------------------------------------------------------|
B|-7-5>>3-3--5>>7-5-3>2-2-2^^3-5-3-------------------------------|
G|----------2----------------------5-2--5-4-3-2-----4-7>---------|
D|-------------------------------------3--------3--5-------------|
A|---------------------------------------------------------------|
E|---------------------------------------------------------------|
*Trey often plays the solo in this alternate pattern
E|-------------------------------------------------------------------------------------------------|
B|---13-11------11b13r11---------------------------------------------------------------------------|
G|---------13------------13-12--12-12-12-12h13-15-13-----------------------------------------------|
D|-----------13--------------------------------------16-13----16----15---14----13-----------15-18--|
A|---------------------------------------------------------14----14---14----14----14--14/16--------|
E|-------------------------------------------------------------------------------------------------|
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
this part played very quickly
And then back to:
* ^ ^ ^ * ^ ^ ^ * ^ ^ ^ * ^ ^
E|------------------------------------|
B|--5--5-6-8-88-6-5---3->>8-6-5-6-8-6-|
G|--5--5-5-5-55-5-5---3---------------|
D|--5--5-7-5-55-7-5---3----------5--7-|
A|------------------------------------|
E|------------------------------------|
Four times through. After the solo (which I won't repost), you go back
to that main riff above (here again, it's two frets up--in C) and then
suddenly, you chop it off right after the end of measure three and play:
A ^ ^ ^ A ^ ^ ^ Asus4 ^ ^ ^ Asus4 ^ ^ ^
over and over again, until it feels just right. And of course, if
you're phish, you change your volumes, lie down, jump up and down, play
ditties over that and so on. Then for that fantastic glorious build,
you play
F ^ Eb ^ D ^ Eb ^ F ^ Eb ^ D ^ Eb ^ F ^ G ^ A ^ Bb ^ C ^ C# ^ D!!!!!!!!
And back to the chorus. All of these are played with the D-shaped chord
and then slid up and down the fretboard starting at fret 5. Play
around with it. Of course, I have seen Trey use the A-shaped chord as a
substitute for the first coupla bars. Depends on what you've been doing
just prior to that. The beauty is that with improvisational music,
nothing is set in stone.
Ending lick:
tremolo strum
E--------------------------------------|
B-6---------------6--------------9--2--|
G---5^(6)--5---3----5^(6)-p3-----9--2---|
D--------5---5---------------5---9--2--|
A--------------------------------7--0--|
E---------------------------------------|
NOTES: 1) I have done my best to show the timing of the notes, but the
rhythm is difficult to convey in tablature. You're going to have to
listen to the song to get the time.
2) A ">" or a ">>" means that the previous note "slides" up to the
next... A " ^^ " means that the note is "hammered"
3) The numbers correspond to the FRET on which that particular STRING
is played